With the help of the lifestyle and hosting pros at entertaining brand Social Studies, Domingo curated a host’s checklist for the Ketel One x Emmys Hosting Edit. “But there’s got to be something that makes it feel special.”) (“Maybe I’ll even have my friend Jon Batiste over actually playing,” he says. And, depending on the event, the star says he’ll play everything from Coltrane to Jon Batiste.
#Fear the walking dead season two episode two how to
“For me, it’s always great lighting, great music, and you’ve gotta know how to curate the right vibe,” Domingo says about the hosting must-haves of every good party. In other words, all your Emmys watch party needs are covered. The actor, who has 15 years of bartending experience under his belt and hosts AMC’s Bottomless Brunch at Colman’s, has teamed up with the awards’ official spirits partner, Ketel One Vodka, for its 74th Emmy Awards Hosting Collection. Fear the Walking Dead found something to redeem its dull hour in this scene, about finding human connections in a monstrous world, and hopefully it can find more scenes like it.As it turns out, the award-winning star is getting a head-start on the celebrations - and showing everyone at home how to do it, too. It was two men who have lost everything, and who found themselves re-evaluating their lives together – an actual moment about the universality of loss, and how people might alleviate that pain in each other. Pablo was Luci’s brother, whose body they finally found long after his relevance to the story had drifted off out of memory.įear the Walking Dead did manage to create some emotion with Jessica, though, in the scene where Strand convinces Oscar to let him kill her, Oscar’s recently turned bride. Other than Nick and Luci’s seven minutes in heaven, the emotional center of the episode was supposed the title characters, Pablo and Jessica. And what’s the point of being at a Mexican resort if you can’t even go swimming in the ocean? ‘Death pardoned you’ We’ve seen that the undead can live, so to speak, underwater, and the stampede would unnecessarily infect part of the ocean that they need for food and transportation. Not to mention there’s no reason that this would be a good plan. The dialogue seems a clear case of foreshadowing: they’ll create a stampede, drive the zombies off the pier, and let the current wash them out to sea.īut we’ve seen this trick before: Rick used the exact same tactic on The Walking Dead. Out of the bar intact, Madison approaches Oscar, the leader of the hotel guests, and convinces them they need to clear the building and fortify it before some jerk comes along. But unlike The Walking Dead, when it pulls these stunts with likable characters we’ve known for years, its sister show makes it hard to care. We didn’t know how Madison survived, where Ofelia went, or what happens to Travis and Chris for weeks at time. The show’s goal seemed to be to gin up some suspense, leaving us in the dark about the fate of various characters. We’ve seen this trick about five times on the original Walking Dead, and it seems to be the way out of danger every week here. The episode began with an even duller sequence: Madison and Strand, drunk in a bar, hacking through zombies and smearing a bit of blood to disguise themselves among the undead. The relationship felt predetermined from their first meeting in the desert, and its consummation didn’t feel earned. This scene seemed designed to make viewers feel a romantic tingle, but came off entirely cold. Nick’s big moment is a visit from Luci, who once despised him and now pops by for a little candlelit Spanish and a make-out session. He says he was bitten, it healed – and that Nick has to take a leap of faith. He also wants a reason to believe Alejandro, who tells Nick about how he once tried to save a young addict who had become zombie-like because of the drugs. He’s still looking for a reason to live, and though he feels fulfilled helping the colony, he wants to feel the rush of being a hero. But of course Nick has become a different sort of addict now, craving the danger of desperate situations.
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